Artists amplify the story of American slave labor in new museum
ARTNET NEWS
By Brian Boucher
Countries from Germany to Rwanda have erected so-called “museums of conscience” devoted to reckoning with the darkest episodes in their history. At a moment of heightened struggles over the symbols of racism across the United States, the Alabama-based Equal Justice Initiative (EJI) is looking to add to that catalogue with a new institution whose name says it all: The From Enslavement to Mass Incarceration Museum. Scheduled to open next year in Montgomery, Alabama, the new museum will focus on telling a story that connects the dots from slavery through segregation to the well-documented and dramatic disparities within the criminal justice system today. [More]
Founded in 1989, and led by lawyer Bryan Stevenson, EJI has a staff of about 50 and works to liberate the wrongfully incarcerated. (The nonprofit has been a major beneficiary of Agnes Gund’s Art for Justice Fund, which was seeded by her $150 million sale of a work by Roy Lichtenstein.) The story will be amplified by a collection of work by an extensive roster of modern and contemporary African-American artists, including John Thomas Biggers, Sanford Biggers, Elizabeth Catlett, Titus Kaphar, Jacob Lawrence, Glenn Ligon, and Hank Willis Thomas.
By Brian Boucher
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| Elizabeth Catlett, Virginia (1984). Courtesy From Enslavement to Mass Incarceration. |
Founded in 1989, and led by lawyer Bryan Stevenson, EJI has a staff of about 50 and works to liberate the wrongfully incarcerated. (The nonprofit has been a major beneficiary of Agnes Gund’s Art for Justice Fund, which was seeded by her $150 million sale of a work by Roy Lichtenstein.) The story will be amplified by a collection of work by an extensive roster of modern and contemporary African-American artists, including John Thomas Biggers, Sanford Biggers, Elizabeth Catlett, Titus Kaphar, Jacob Lawrence, Glenn Ligon, and Hank Willis Thomas.
