By Gregory & Ernest Disney-Britton
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| Luis González Palma "El Angel (The Angel)," 1991-1992 Hand-painted gelatin silver print Photography 19 5/8 x 19 3/4 in. |
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| Luis González Palma "El Angel (The Angel)," 1991-1992 Hand-painted gelatin silver print Photography 19 5/8 x 19 3/4 in. |
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| Barnaby Barford’s “The Tree” (2019) in the exhibition “MORE, MORE, MORE” |
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| Andy Warhol, The Last Supper , 1982-84 |
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| Devan Shimoyama's "Daphne's Prayer” (2016) |
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| Tom Torluemke's "Sickly Decline" (2019) |
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| Mark Bradford – Mithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view at Prospect.1, New Orleans |
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| “Jacob Wrestling the Angel” (2017) by Michael Cook. Print #15 of 150, 27.5 x 19.5. Original is pencil on paper. |
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| Stanley Spencer’s “Christ's Entry into Jerusalem” (1920); Leeds Art Gallery, Leeds Museums and Galleries |
| William Blake's "The Woman Taken in Adultery" (1805), Museum of Boston Fine Arts, Pen and watercolor over graphite pencil on paper, 14 × 14 1/2 in. |
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| Max Beckmann's "The Prodigal Son" (1949); Oil on canvas; Sprengel Museum (Germany - Hanover) |
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| Giovanni domenico Tiepolo (Venice 1727-1804) "Christ and the barren fig tree" ; oil on canvas; 33 x 75 in. (Courtesy of Christies in June 2015) |
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| Denis Du Mikhaylov's "Transfiguration" (2015); acrylic on canvas; 59.7 x 90 cm |
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| Bartolomé Esteban Murrillo's "Christ healing the Paralytic at the Pool of Bethesda" (1670); oil on canvas; National Gallery, London |
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| Shamira Wilson's "How Does Your Garden Grow?" (2019) |
| Ernest's fracture boot fitted at Dr. Lyon's office in Indianapolis after breaking right heel in Key West, FL |
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| Anila Quayyum Agha's "This is NOT a Refuge 1" (2019) - lasercut, resin coated aluminum and lightbulb, 8 x 6 x 4 feet at Talley Dunn Gallery in Dallas, Texas through March 23, 2019 |
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| Alvin Ailey American Dance Theater in Rennie Harris' Lazarus. Photo by Paul Kolnik |
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| Beauford Delaney’s “Rehearsal,” 1952, showing choir members preparing for a service. |