Movie Review: ‘Through a Lens Darkly,’ on African-American Photography

THE NEW YORK TIMES
By A.O. Scott

“Yo Mama's Pieta,” (1996) by photographer Renee Cox comments on racism by drawing on a
biblical narrative in which blacks have often been excluded. Credit Renee Cox/First Run Features

HOLLYWOOD---To describe Thomas Allen Harris’s “Through a Lens Darkly: Black Photographers and the Emergence of a People” as a history of African-American photography would be accurate but incomplete. Inspired by the book “Reflections in Black” (2000), Deborah Willis’s groundbreaking and thorough excavation of a vital and neglected photographic tradition, Mr. Harris’s film is a family memoir, a tribute to unsung artists and a lyrical, at times heartbroken, meditation on imagery and identity. The film is always absorbing to watch, but only once it’s over do you begin to grasp the extent of its ambitions, and just how much it has done within a packed, compact hour and a half. [link]