ARTNET NEWS
By Tim Schneider
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiubBUfaPE1Gfe-zIvaxxgoqisOOhF1v4-yn_XICCxVSYcMsmBMu-NIE5VVThyphenhyphenoc3wGjpRonubnx2acbAL9lG4XXIXOmw5bZVN_us5n9Ad2iESj1_H6kn9xeER4lGjo2cSARtfqD_AkGio/s400/Kamiar-Maleki-768x1024.jpg) |
Kamiar Maleki was named in new director of VOLTA in November 2019. |
Kamiar Maleki, the London-based director of the Pulse and Volta fairs, tells us about which artists he has his eye on.
What was your first acquisition? "Technically, a piece by Japanese photographer Tomoaki Makino from the now-defunct Museum 52, in London. But what I’d consider my first serious piece was a Ged Quinn painting, The Wintry Wind of the Bone, which I bought for under £8,000."
What was your most recent acquisition? "A painting by a young Iranian artist called Amir Khojasteh, from a group show at Gazelli Art House." A version of this story first appeared in the spring 2020
Artnet Intelligence Report. [
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Amir Khojasteh, The Painter (2018). Copyright the Artist. Courtesy Carbon 12, Dubai. |