The Metropolitan Opera’s Censorship of “The Death of Klinghoffer”: Artwork About Oppression of Palestinians Considered Anti-Jewish
GLOBAL RESEARCH
By David Walsh
The decision by New York City’s Metropolitan Opera to cancel its plans for worldwide high-definition video transmission and radio broadcast of John Adams’ The Death of Klinghoffer is a scandalous and cowardly capitulation to right-wing forces, with far-reaching implications. The claim that the work is “anti-Jewish” (per the cover of Rupert Murdoch’s gutter New York Post on June 18) is libelous and absurd. It can only be credited by those who have neither seen the opera nor read the text of its libretto—or who have an ideological axe to grind. The musical piece, which opens with choruses of “Exiled Palestinians” and “Exiled Jews,” respectively, is a poetic, somber effort to come to terms with the historical tragedy of the Palestinian-Israeli conflict. The only anti-Semitic lines (often cited by opponents of the opera) are given to a character nicknamed “Rambo,” an obvious sadist and thug. The Metropolitan Opera’s decision has outraged many around the world. [link]
By David Walsh
The decision by New York City’s Metropolitan Opera to cancel its plans for worldwide high-definition video transmission and radio broadcast of John Adams’ The Death of Klinghoffer is a scandalous and cowardly capitulation to right-wing forces, with far-reaching implications. The claim that the work is “anti-Jewish” (per the cover of Rupert Murdoch’s gutter New York Post on June 18) is libelous and absurd. It can only be credited by those who have neither seen the opera nor read the text of its libretto—or who have an ideological axe to grind. The musical piece, which opens with choruses of “Exiled Palestinians” and “Exiled Jews,” respectively, is a poetic, somber effort to come to terms with the historical tragedy of the Palestinian-Israeli conflict. The only anti-Semitic lines (often cited by opponents of the opera) are given to a character nicknamed “Rambo,” an obvious sadist and thug. The Metropolitan Opera’s decision has outraged many around the world. [link]
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