ALJEZEERA
By Ned Resnikoff
NEW YORK---With his golden halo and gentle gaze, the man on the pedestal in the stained-glass window looks like a medieval Christian saint. But the high-top sneakers and white hoodie give it away; this is the work of the artist
Kehinde Wiley. Wiley’s portraits of young black men and other people of color — rendered in oil paintings, bronze, stained glass and video — are deliberately at odds with many images common in American mass media. A new exhibition on view until May 24 at the Brooklyn Museum offers a retrospective of his work over the last decade and, for many who attend it, continues the discussion on race and justice begun by the
Black Lives Matter movement. [
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