Thursday, October 27, 2016

A mass of tangled red yarn unravels to overtake a Brazilian chapel

COLOSSAL
By Kate Sierzputowski
Tatiana Blass, “Penelope” (2011), carpet loom, wool yarn, chenille at the Chapel of Morumbi. Photos by Everton Ballardin
In 2011, Brazilian artist Tatiana Blass pierced the walls of a Sao Paulo chapel with large masses of red yarn, letting the bright material trail into the surrounding grasses, landscape, and trees. Inside the chapel the work continued with a 45-foot-long carpet leading to a loom into which it was stuck. Immaculate on one side of the loom and in pieces on the other, strings of the dismantled rug traveled outside of the chapel through preexisting holes that made their way into the yard. The piece, just like the epic poem, leaves us to wonder whether the work is in a state of construction or unraveling, if the carpet is being built, or slowly torn apart. [link]