Spiritual Revival: Marnie Weber Casts a Perverse Spell

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BLOUIN | ARTINFO
By Doug Harvey
A still from "The Day of Forevermore," in which the Witches and the Devil devise a plan for Forevermore Acres. (Lee Ann Nickel)
“Try it again without the death metal voice, Doug!” I’m inside a bulky latex ram-horned devil mask, wearing a swanky maroon dinner jacket and cravat, tending bar for a coven of witches in a ruinous hut in a crumbling bohemian compound in the foothills of the San Gabriel Mountains, and Lee Lynch is getting sarcastic. Five hours earlier I’d caught a ride with my bandmate, the sculptor Daniel Hawkins, up the winding precipitous incline to the Zorthian Ranch, a definitively unfinished art environment dating from the antebellum heyday of West Coast Assemblage. Daniel was multitasking various production duties on artist Marnie Weber’s first full-length feature film, for which I’d been recruited to do a cameo. [link]

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