An Italian city at the crossroads examines migration, through art
THE NEW YORK TIMES
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PALERMO, Sicily — Political art and world politics seldom dovetail in real time, but as the twelfth edition of the Manifesta contemporary art biennial approached, its host city of Palermo found itself walking its talk. Titled “A Planetary Garden: Cultivating Coexistence,” the exhibition, which opened June 16, takes migration as one of its themes. And days before the international art crowd descended on the Sicilian capital, Italy’s new interior minister, Matteo Salvini, closed the country’s ports to rescue boats — including the Aquarius, a ship looking to dock in Italy with 629 migrants aboard. Resisting the national announcement, Palermo’s mayor, Leoluca Orlando, offered to open the local port to the vessel, but the Italian Coast Guard declined to escort it in and the migrants were rerouted to Spain. [More]
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| “Pteridophilia” by the Chinese artist Zheng Bo, emerges from the foliage at the botanical garden. Credit: Gianni Cipriano for The New York Times |
