Monday, July 2, 2018

A landmark exhibition investigates Leonardo da Vinci's early years as an artist

ARTDAILY
Leonardo da Vinci and Lorenzo di Credi, A Miracle of Saint Donatus of Arezzo (detail), ca. 1475–85. Oil on panel. Worcester Art Museum, Mass., Theodore T. and Mary G. Ellis Collection, inv. no. 1940.29. Photo: Image courtesy the Worcester Art Museum.
NEW HAVEN, CT---On view at the Yale University Art Gallery from June 29 through October 7, Leonardo: Discoveries from Verrocchio’s Studio investigates a virtually unknown period in the career of perhaps the most famous artist of the Italian Renaissance, Leonardo da Vinci (1452–1519). The exhibition focuses on the claim of Leonardo’s first biographers that as a boy he was apprenticed to the sculptor, painter, and goldsmith Andrea del Verrocchio (ca. 1435–1488). Verrocchio is a mysterious personality. While many of his sculptures in bronze and marble are today admired as iconic masterpieces of 15th-century Florentine art, scholars have never agreed on a list of surviving paintings that might be by him, or even whether any of them are by one artist alone. [More]

Yale University Art Gallery: "Leonardo: Discoveries from Verrocchio’s Studio" (Through October 7, 2018); 1111 Chapel Street (at York Street) New Haven, Connecticut; 203.432.0601; artgallery.yale.edu
Lorenzo di Credi, The Annunciation, ca. 1500. Oil on panel. Alana Collection, Newark, Del. Photo: Christopher Gardner.