At the Met, a New Vision for Islam in Hostile Times
THE NEW YORK TIMES
By Robert Worth
NEW YORK - Over the past decade, many Americans have based their thoughts and feelings about Islam in large part on a single place: the blasted patch of ground where the World Trade Center once stood. But a rival space has slowly and silently taken shape over those same years, about six miles to the north. It is a vast, palacelike suite of rooms on the second floor of the Metropolitan Museum of Art, where some of the world’s most precious Islamic artifacts sit sequestered behind locked doors. There is far more at stake here than the overhaul of a permanent collection at the Met, itself a once-in-a-generation event. The museum’s directors are acutely aware that their collection will be unveiled at a time when Islam is a more inflammable subject than ever. That is no small part of what makes Haidar so nervous as she prepares for opening day. It is also one reason the galleries — closed since 2003 — spent so long in the dark. [link]
By Robert Worth
NEW YORK - Over the past decade, many Americans have based their thoughts and feelings about Islam in large part on a single place: the blasted patch of ground where the World Trade Center once stood. But a rival space has slowly and silently taken shape over those same years, about six miles to the north. It is a vast, palacelike suite of rooms on the second floor of the Metropolitan Museum of Art, where some of the world’s most precious Islamic artifacts sit sequestered behind locked doors. There is far more at stake here than the overhaul of a permanent collection at the Met, itself a once-in-a-generation event. The museum’s directors are acutely aware that their collection will be unveiled at a time when Islam is a more inflammable subject than ever. That is no small part of what makes Haidar so nervous as she prepares for opening day. It is also one reason the galleries — closed since 2003 — spent so long in the dark. [link]
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