Roy Lichtenstein's Grand Gestures in Art Reflecting Religion

JEWISH CHRONICLE
By Naftali Brawer
Roy Lichtenstein’s ‘Whaam!’. A retrospective of his work is at the Tate Modern until May 27
UNITED KINGDOM---The Tate Modern's current retrospective of Roy Lichtenstein's pop art includes a series of 1960s paintings called "brushstrokes". Describing his work, the [Jewish] artist said: "Brushstrokes in painting convey a sense of grand gesture but, in my hands, the brushstroke becomes the depiction of a grand gesture." This distinction between the grand gesture and the depiction of the grand gesture brought to mind the work of the 19th-century philosopher of religion and psychologist, William James. In his 1902 book, "Varieties of Religious Experience", James makes a clear distinction between the spontaneous religious experience of the founders of a religion - whom he calls religious geniuses - and that of the "ordinary religious believer" who comes later and "follow[s] the conventional observances".  [link]

Comments

I am struck by this distinction between "spontaneous religious experience" versus "ordinary religious believers" who simply follow the crowd. While this writer is using Lichtenstein's "brushstrokes" as a call-to-action for her fellow Jews, I'd argue that the truth of this speaks to all paths and makes me wonder if I am in the grouping with the spontaneous or ordinary? We should all do such reflection especially when confronted with works such as Lichtensteins which don't shout out an ordinary religious message. That's truly an "amazing" approach to religious art.