Public Art and Antiracism Organizing

ALPHA OMEGA ARTS
By TAHLIB
Mock-up of an abandoned art project in Indianapolis which excluded
both the Arts Council of Indianapolis and the African American community
INDIANA--When selecting Public Art, how much "public" voice is part of the decision-making process? Over a decade ago, at Northern Kentucky University, the university's most prominent work of Public Art was labeled "Racist Art" by Blacks but defended by Whites as "Fine Art". Who selected the work? It wasn't the Black community. After years of bitter debate, it was finally moved to a non-public location as part of the Art Department. Today in Indiana, the Arts Council of Indianapolis is leading a national Call-to-Artists to create a work of Public Art reflecting the African American experience, and in the process the Arts Council is putting the "public" in the driver's seat. The process is simple but the process isn't easy. Tackling issues of racial exclusion in the Arts is never easy, but the Arts Council of Indianapolis has created a true decision-making "partnership" between the Arts community and the African American community, and in doing so is also putting "public" into Public Art. The deadline for artist proposals is Monday, July 8, 2013: www.IndyArts.org/ArtOnTheTrail.

Comments

I've spoken with some people doing amazing work on this front for their cities in Cincinnati, Pittsburgh and San Francisco, and I'm looking forward to helping develop a coherent policy to help move us forward in Indianapolis. This public art process will really inform the work we do ahead. I also want to note that interest in the webpage for this commission is off the chart! We've never had the kind of traffic to a page that we are getting now. I am hopeful this bodes well for the quality and quantity of applications.