RELIGIOUS ART | NEWS OF WEEK

ALPHA OMEGA ARTS NEWS
By TAHLIB
Why do we memorialize? A new altarpiece for St Paul’s Cathedral in London is a video quadriptych of unnamed figures engulfed in flames, doused in water, buried by soil and strung up by the ankles. Installed during a week when death felt close at hand, this digital work "Martyr's" (above) by Bill Viola is my NEWS OF WEEK. Critics predict Viola's universal work will change the future of religious art. During this week, when a family member passed away; 3 shot dead at a Jewish Museum of Belgium; 7 killed in a rampage in California; and a museum opened for 2,977 who died in NYC; we ask, how should art memorialize?
In other religious art news from across the USA, and around the world:
Join the journey. We are all members of one spiritual family united in the search for human meaning through art from the religious imagination. For us, it's more than Art. It's Religion. We follow artists who explore religious ideas with their creativity. When you follow religious artists, you join others who do the same. Some of us join as "Collectors" and make policy decisions; others join as "Friends" who gather for the dialogues; and most of us join as "Subscribers" to this "free" weekly newsletter; (or follow on: Tumblr, Twitter, Facebook, or Soundcloud).


Comments

I think people memorialize to feel connected to the people and events we memorialize. I would love to see this video!
I agree about connecting and in doing so we may only connect to the part of that life we most admire, and forget the true flaws. That's okay, isn't it?
Sarah Adams said…
I agree with the connection, but also wonder if we memorialize because we cannot let go--of the dead, the battle, the love. Perhaps memorials say more about us than we intend.
Last week, NYTimes cultural critic Ed Rothstein made a similar point in his review of the 9-11 museum. He raised the concern that we were moving from a culture that remembered history for the sake of lessons, to becoming a culture that seeks sentimental experiences regardless of the true history and true lessons.