RELIGIOUS ART | NEWS OF WEEK

ALPHA OMEGA ARTS
By Gregory & Ernest Disney-Britton
Anthony van Dyck, Saint Jerome, 1618-1620. Museum Boijmans Van Beuningen, Rotterdam. Loan: Willem van der Vorm Foundation. Photo: Studio Tromp, Rotterdam
Flemish painter Anthony Van Dyck's five foot tall "Saint Jerome" hangs in the Museum Boijmans Van Beuningen in Rotterdam. Painted loosely and boldly, the image portrays a virtuous monk draped in scarlet red, at study with an angel over his shoulder and a lion at his foot. Jerome is best known for translating the New Testament text to Latin and for having drawn a thorn from the paw of a lion who stayed with him for years. Beginning this month, the Rotterdam museum is showing Van Dyck's "Saint Jerome" and 500 other works from their collection in a newly designed display. The painter died in 1641 at age 42, and left behind a generous inheritance for his two daughters, one by his wife and the other by a mistress. On this Father's Day, we honor Anthony Van Dyck, a painter of religious virtues who struggled with his own.
Self-portrait with a sunflower is a 1632–33 self-portrait by Anthony van Dyck. It is now in the private collection of the Duke of Westminster.
For other NEWS OF WEEK from across the USA, and around the world, see below:
Are you an artist? Are you collector ? If you like what you see each week, please subscribe to our  weekly e-newsletter. Since November 1, 2008, we've announced the AOA subscriber choice for the annual Alpha Omega Prize on the same day each year. You can also follow us weekly on TumblrTwitterFacebook, or Soundcloud, but only subscribers can vote for the prize.
Amida Buddha with Attending Bodhisattvas Japan, Edo period, late 18th century Wood with gold, pigment, metal, and headstones, 22 x 18 x 9 in. San Antonio Museum of Art, gift of Lenora and Walter F. Brown, 2013.38.262 Photography by Peggy Tenison
Lucio Fontana, “Crocifisso” (1955–57), polychrome ceramics, 17 x 14 x 4 1/3 in (© Fondazione Lucio Fontana, by SIAE 2017, courtesy Galerie Karsten Greve Cologne, Paris, St Moritz; photo by Saša Fuis, Cologne)
Rama returns in victory to Ayodhya, Pahari (Punjab Hills), Kangra, c.1780-1790 © The Fitzwilliam Museum, University of Cambridge.
Anila Quayyum Agha (b. 1965), All the Flowers Are for Me (Red), laser-cut lacquered steel and lightbulb, 60x60x60 in, Alice Bimel Endowment for Asian Art, 2017.7
Carole P. Kunstadt, Sacred Poem XI, 2015, 24 karat gold leaf, paper, thread, gampi tissue, 7.5 x 8 x1.5in

Comments